Hi, More a question about the sony SRW-1 VTR which this camera docks with. May have a job with one of these coming up...only be using two tracks of audio and I...
from my privet collection - 9 from 10 condition includes ktek zeppelin and gpss suspension, fur short 5 to 2 -3pin xlrs cable best offer over 680 us$ best ...
Hi, I'm probably about to ask a rather stupid question but i have never worked on a film that has ended up as a 35mm print. I Recently completed the sound mix...
It all depends on what speed your movie was digitized at! Although the Quicktime movie info bar may say 25fps that might not be the case. Check with the...
Thanks David. Interesting stuff about the pitch-shift. I was concerned that the sync would drift but seeing as they are running at the same speed i guess it...
hi my name is claire Berriman and currently undertaking a module at unversity called 'indusrty research'. if there are any sound designers out there could you...
Hello Claire I hope some of our US subscribers will answer here! In the UK, Sound Designers usually only work in the Theatre Industry where they are...
thank you very much, this has been a hugh help. thank you for your time Claire Berriman ... _________________________________________________________________ ...
Hi All ! I'm doing a 4/5wk job this summer, to be shot in 5:1 sound. What would people recommend kit-wise (mic/s; recorder etc) to achieve this ? I should say...
... I have no idea what this means: "to be shot in 5.1 sound"? 5.1 sound is really a RELEASE format, not a production recording format. If you are saying that...
Jeff Wexler
jwsound@...
Apr 25, 2007 9:41 pm
1909
Hi Steve You say "to be shot in 5.1"???? Frankly, I'm amazed! I wouldn't think ANY corperate video/film would be shot like that. Post produced - yes. What is...
Hi Steve, I've been shooting a movie in plain old vanilla mono (with a bit of two track here and there), but the post house has sent out a chap with a recorder...
Hi Steve The quickest and cheapest solution to get surround of a talking head is to use one mono mic and add artificial surround reverb (eg from a Lexicon or...
Hi David! I didn't say the program was ALL talking heads! I said it involved talking heads (what doesn't?) but was mostly location shooting! I imagined there...
Hi Steve Right,wearing my mixing hat ....... 1. is the way to go. I would avoid M/S, as moving objects (cars, planes, footsteps) do funny things when decoded...
I remember this one instance many years ago when an American engineer (hi fi electronics) wrote to me saying he was designing some equipment (analog)...
Have the production indicated why they want it shot in 5.1 - in other words what are they hoping to achieve by it? Are there particular sounds they need to...
Hi Dave i/v's = interviews g/v's = general views If I asked Production why they want to shoot in 5:1, they'd look at me blankly! I think they employed the...
Hi Steve, I suspect they want to end up with a 5.1 mix. Do them and yourself a favour. Take Jeff Wexler's advice and produce a first class mono or twin track...
Without a doubt they mean delivery of a 5.1 final mix, as Dennis says this does not mean shooting in 5.1. Most of the projects we undertake deliver in 5.1 (as...
Hi, One option is to record MS, so you have your mono dialog there, within a stereo "soundscape". Alternatively, if it worths (location depending) you can have...
We are happy to anaunce ( me and my partner soundmixer Danny Shayovitz)that we opened the only one dedicated audio for film rental house in ISRAEL . ...
It makes me very sad indeed to have to announce the death of Simmy Claire, sound recordist, who died on Tuesday. I don't think that Simmy was an AMPS member,...
Does anybody know how I could possibly get in contact the panel of judges responsible for the awarding 'Casino Royale' Best Sound at this years BAFTA's Your...
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